T-STOP VS F-STOP: WHAT DIFFERENCE?
One of the first things you come across in photography is F-stop (from focal length "focal length"). It, as a measurement of the lens, is an important part of the…

Continue reading →

JAN BERRY - PHOTO ARTIST CREATING PICTURES FROM JEANS PANTS
Ian Berry, also known in the art environment as Demimu, is a British artist who does not paint with paints, but draws them from jeans shreds like an old mosaic.…

Continue reading →

How to clean the lens and camera sensor
You can get all kinds of gadgets and solutions for cleaning lenses and cameras, but in most cases you only need two simple things to do with this task. Many…

Continue reading →

HOW TO PHOTOGRAPHY STILL LIFE. SIMPLE METHODS

You do not need to treat still life photography as a real problem, because you do not understand where to start work. This genre is definitely worth mastering, because it can become a kind of meditation for the photographer.

Still life photography helps the photographer hone professional skills at his own pace, while at the same time, it immediately becomes possible to create works that can later be placed in the portfolio. This article will help you get started creating still life photographs: photographer Charlie Moss shares his experience in shooting them.

Lens selection

As with any other genre of photography, it is imperative to have a lens suitable for the subject. Everyone knows that there is no universal lens. But for photographing still lifes, you don’t need a large assortment of lenses.

It is recommended to start with 50 mm. When it comes to still life photography, a lens with a focal length of 50 mm is considered a wide-angle lens. If you shoot only one or two objects, or if your object is simply small, too much of the image will be occupied by the surface on which it is located, or the background. You will need to come very close to the object in order to get rid of everything superfluous in the frame.

Scale is a very important aspect of still life photography. Some objects may appear wider or taller in the camera viewfinder. And a large amount of the background visible in the picture can simply overshadow the entire object.

Choosing the right props for color and mood

Once you have selected the necessary photo equipment, it’s time to refresh your knowledge of color theory, because when creating still life images you really need them. Colors provide harmony and contrast in the photo. If you were to shoot something with a blue hue, for example, and use the blue and green backgrounds, you would get a very harmonious and, possibly, calm image.

On the other hand, if you add yellow or orange tones to the scene, this will create a certain tension and lead to a more dynamic overall feeling from the picture.

You can add color to a still life picture in a variety of ways. Background, fabrics, plates, bowls, vases – all these things are part of the scenery in the shooting, which you can start collecting to create a color library of props. Do not forget about natural objects such as flowers and foliage; very often they can truly bring a picture to life.

Make sure that the props you use look consistent. For example, if you want a vintage look, keep all the details in a single retro style. Do not use shiny pink gold cutlery next to an antique silver tray. It may look nice, but the visual story is not good.

Think about the fact that most of your props should be neutral – so its elements will combine well and look together in many pictures, that is, it will be possible to extract great benefit from them. Sometimes, if the props are too bright, this can distract the viewer from the main object. It should be remembered that shiny objects in a still life can be quite problematic. Sometimes photographers have to spend the whole day to take the right shot of a brilliant kitchen appliance, because it reflects the whole situation.

Background selection

The color of your background will often play the role of the most dominant color in the scene, so choose wisely and remember that it will be difficult to change the background when you have already placed all the props on it. Choose the background according to the feeling you would like to create in your final image.

The role of the backdrop can play everything that visually combines with the scene that you create. It can be a marble countertop, a beautiful old rustic table or an additional piece of fabric. Everything that helps create a mood for the image.

In addition to the background color, think about its texture. A shabby, darkened old baking sheet will create a feeling completely different from, for example, draped silk. Think about the feelings that different backgrounds cause when choosing them for your scenes, and decide what is right for the story you are trying to tell with your photo.

Textures in a still life

Along with all the other elements of still life photography, the texture really creates the right mood. Search both the main streets of the city and art shops. Are you shooting something rustic in country style? Then the beautiful rough fabric will perfectly convey the story in the frame. Or maybe you are photographing a more modern scene that will benefit from the use of glossy plastic backgrounds and smooth shiny props?

The texture also adds interest and depth to the final image. Human life is a riot of various textures, they affect feelings both visually and through touch.

HOW TO CONTROL THE TONES OF THE BACKGROUND BY CONTROL THE LIGHT
When using studio lighting, one of the unpleasant things is related to the background. Of course, if you have the space, time and money, then you can just stock up…

...

HOW TO SUCCESSFULLY USE LINES IN PHOTOS
The lines in photographs are very powerful elements that, if you have a little practice, can add a dynamic effect to the image in terms of mood, as well as…

...

HARD LIGHT - IT'S SIMPLE!
In nature, there is soft light, hard, as well as everything in between. All this falls under the concept of "quality of light", i.e. the differences between these two types…

...

HOW TO ESTABLISH WHITE BALANCE AND WHAT IT HE INFLUENCES IN PHOTOS
While the human eye can easily adapt to the changing shades of light, the camera is a little more complicated. Because of this, you must tell her yourself when she…

...