In the winter season, many sporting events and training are held under the roof, indoors. Basketball. Volleyball. Gymnastics. Of course, indoor sports are fun for both participants and spectators. But let’s face it: shooting such sporting events is not an easy task for a photographer. Quite often, you can even end up in a gym with such low light that even 1600 ISO will not give good results.
Let’s look at some of the nuances that should be considered when photographing indoor sports.
The first thing a photographer should remember when shooting in the gym is to closely monitor actions and movement. The plot of such outdoor games as basketball or volleyball is constantly and rapidly Continue reading
Of course, everyone who is interested in photography has seen stunning portrait photographs where the background is blurred, but blurring does not affect the sharpness of the image of the main subject. If everything is done correctly and all conditions are met, it is not so difficult to make such photos, but for beginners it may seem difficult to obtain pleasant portraits with a blurred background, especially if they are not familiar with the appropriate techniques.
And the point is not even to use premium lenses that give you advantages in this technique due to the ability to shoot with the maximum open aperture. Even outside the lens brand, you can get excellent results if you follow some of the tips that professional photographers share in their portrait photography master classes. Continue reading
The lines in photographs are very powerful elements that, if you have a little practice, can add a dynamic effect to the image in terms of mood, as well as guide the viewer’s gaze and lead him in the right direction for an ideal reading of the composition. This article discusses four types of lines: horizontal, vertical, diagonal, and converging. Each type of line has a different effect on the photo.
A good way to practice learning about lines is to go back to the old images that you shot and start looking at them for lines that worked well and those that, on the contrary, looked bad.
The next time you take a picture with the camera before you press the shutter button, consciously ask yourself which lines are in front of you and how you can use them to add something to the future picture while working with THEM, and not against them. Continue reading